Food, Days Out and Travel stories from Brighton, London and the Rest of the World


Verse and Versus, a Poetry Slam at Brighton Fringe

Well attended by poets and fans alike, Hendrick’s Library full of an assorted collection of antique wooden tables, chairs, bookcases and leather bound books was the perfect setting for this literary event. With nineteen contestants competing for £100 prize money a three minute rule was set to ensure that each poet was given the same chance to impress and the night's proceedings were presided over by poet Chris Parkinson.

Having slipped from a central role in the literary canon poetry has become sadly side-lined to that of a minority sport, which is a great shame as it offers a unique mirror to our lives with every word, line and space carefully chosen to create an impact. The quality of poems in the slam was impressive and ranged from witty observations to poignant storytelling.

Four judges deliberated over the contributions before eventually deciding on Lisa Jayne as a worthy winner.

Lisa Jayne, winner of Verse and Versus

Jayne has kindly allowed me to transcribe the winning poem below. Her partner Ben Graham also received a mention for his fantastic poem and both of them will be reading more poems at The Midsummer Poetry Ball, Friday 15 June at Westhill Hall, Compton Ave. For more details check out

Without more ado here is the winning poem:

Rape Carriage

The end of the line

misfit carriage brought out of the sidings

off-peak hour to travel

for personal reasons.

My carriage, doors slam, whistle,

you've missed the train now.

I drop my bag on the seat

sagging under invisible weight

dust glamour on the air.

One long seat facing another

door left and right, no corridor.

My carriage with a word of mouth

warning – rape carriage.

Seven stops before my station,

seven chances to get out and get in again.

Core, pips and skin smells

out of reach of

the long handle broom

are disturbed.

Picking up, faster, faster

electrical lightning on overhead lines,

I couldn't be more alone

if I was using the toilet.

Maybe someone is back to back with me

in the compartment in front,

leaning back to go to sleep.

Sure I heard some people singing

The Ace of Spades,

I sing Lisa Says all to myself.

Till a station approaching, slow

platform standing,

ticket holding faces, opening doors,

will anyone, would anyone

get in here with me,

Pussy Willow blending with the brillo seat.

Blue denim turning the handle,

see right through and out the window,

no, turning away,

and we're moving again

re-arranging myself.

It's not like it's night time.

It's not like I'm hitch-hiking.

It's not like I'm wearing a short skirt.

I'm wearing boots for running away,

if there was an away.

Sharp objects in my possession

it could be me, the predator

in flower buckle, matelot under velvet.

Wheels going motorik.

Just a partition but no communication

between me and

I don't know if I'd hear them shouting.

Windows open.

Tendrils come loose.

Rape of the lock.

Yellow fields

oil seed rape, crop rotation

over said and again, bored with the word.

Stubble scratch seating prickles me

through my tassel skirt.

I could get out next station


If I opened the door

Levi blue didn't or couldn't

open the door, jammed one side,

if the platform's that side,

I'll try if the platform's that side

if I can get out I'll go.

Tracks cross before a station.

Platform slope, this side,

ready at the door,

blazer, bike jacket, hair in ribbons.

If someone comes to get in

I might wait and see,

non-stopping train

meet with eyes, till we're moving too fast.

My compartment for ten people

I count one.


Two doors out to electrocution

and wrapped round the wheels.

Sun following me

caught on the overhead racks,

rolling down and over me

down and again, flash on the rack,

overtaking myself

with whoever they are

if he gets in,

and who he'll be

to easy meat,

some are already dead

when a uniform opens the cage.

Another station,

nothing, no one.

The next stop is mine.

Window shivers the door,

I close it then my eyes

I try to remember what

the carriage remembers,

can't even remember me, it's too old.

Thirteen minutes,

that's what it was last week.

Someone in here, pin stripe.

Didn't look at me tying my shoe lace,

looked out of the window all the time,

for thirteen minutes.

Roulette, dragging, slowing, breaking.

My station.

All my personal possessions

to the door.

No one coming.

I stay on.

Thirty minutes just the carriage

and me fast to the city.

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